Growing up in the Amana Colonies in Iowa, a religious community often confused with the Amish, my sister and I grew up taking for granted the beautiful Amana furniture, tinware, fabrics, willow baskets, and on and on, that the local craftsmen made for their homes.  Today they are treasured antiques, and Amana estate sales and auctions bring collectors and dealers anxious to buy these lovely pieces.   We were lucky enough to have our Uncle Jacob, a talented furnituremaker, and would visit him every day in his woodworking shop where in his later years he would make footstools for the tourist trade and do caning and rush seats for the locals who needed repairs.  The burl walnut veneer chest above was made by his father.  The chest is an exquisite example of the work of  the Amana cabinetmakers.

Amana furniture traditionally has Shakerlike simplicity and clean lines.

 

But there are pieces that are a little more elaborate and yet simple at the same time.

 

 

 

This one-of-a-kind plant stand was created by our Uncle for Tante Lillie, combining his talent of woodworking and caning.

 

This is a typical Amana one-drawer end table in cherry.   Furniture was traditionally either walnut or cherry . . .

 

 

Although this antique Amana cupboard is made of light-colored wood, the cherry trimwork and knobs on the drawers make a lovely contrast.

Here is a walnut china cabinet from our Oma.  The lines couldn't be simpler!

I suppose "Amana shranks" (cupboards) should have a category of their own as they are furniture but depart from the traditional use of walnut and cherry and are usually found in pine (although there are walnut shranks, and they are coveted).  This is a rare grain painted shrank waist high.   It's an absolute dream, and the photo doesn't do it justice!

I combine walnut and cherry woods in my kitchen.  The plant stand is a massive antique Amana burl walnut piece, and the dropleaf Amana cherry table and chairs with rush seats (a commonly used material for chairs in Amana) were made by my Uncle Jacob for his kitchen in the '40s following a traditional Amana pattern.

 

 

Amana walnut and cherry caned rocking chairs can be found in EVERY Amana household.  This is a rare walnut child's rocker impressed with the makers name and year, 1881.

The talent of Amana cabinetmakers is truly unbelievable.  It is amazing to see the great array of furniture and related items (cutlery trays, clocks, footstools, etc.) that they made . . . and always with great attention to detail and quality!

(Note me posing above right in my birthday photo with a little Amana table!)

A collection has to begin somewhere, and this one is my first.  I wasn't intending to collect more; it just happened.  I don't get excited over porcelain figurines or knick knacks, but the Germans have a way to turn everyday kitchen objects into something whimsical and fun -- never meant for actual use, of course -- and my collection slowly grew as I happened upon them.   As far as I know, no one is able to attribute them to a particular porcelain factory as they are not marked (there were over 200 at the turn of the century in the Thuringian region of Germany) and probably several of the factories had a hand in creating these fanciful ladies, all holding some item which doubles as the spout.  The heads (lids) are removable.  This is called "Benzin Frau," or Gasoline Woman, all decked out with goggles, scarf and fur coat.

This pair of Vegetable Ladies were made from the same mold and topped off with different heads.  Painting one dress blue and another pink differentiates them even further.  The spout on both is a large cucumber.   One frequently finds rhymes about the virtues of staying away from alcohol stenciled on their aprons.   Written in old German script, it is an indication of an early piece.

 

 

 

 

Here the farmer's wife is holding a pig to pour from.

 

 

Clutching a bag which is open at the side, this tired shopper is also carrying a purse, umbrella and dog (Frenchie perhaps?).  As is often done, the scarf around her neck sweeps down her back and doubles as the handle.

 

In this unusual example, the lady is wearing pants (unheard of in those days).  On her purse the words "Hosen Kavalier" are inscribed, Hosen being the German word for pants.  This is obviously done tongue in cheek making a reference to the German comic opera by Richard Strauss, "Rosen (roses) Kavalier."  The sculptor did not forget to include the roses, however.  Notice her hat.  Again, her scarf encirles her and is used as a handle.

 

 

 

Brunhilda obviously works in the local fish market.  She carries knives for fillleting.

 

Kitchen antiques are my weakness, and German spice chests are my favorite!  This example is the star of my collection and probably one-of-a-kind.  It is ca. 1880 and combines lovely ivory carving with the wooden frame, which I think is possibly made of rosewood. 

Note the carved snake which flanks both the left and right of the center medallion on the top and the lovely bouquet of flowers.  A portion of one label can be seen.   Labels have been made to look like banners with the names of the spices etched into the banners.  Each drawer also has an ivory knob.  A wonderful example of German folk art.

Drawers are also divided by ivory strips and lovely ivory columns finish off the sides.  Here you can see a closeup of the extremely tiny nails used to attach the ivory trim and embellishments.  The closeup photo makes the nails appear much larger than they really are. 

Here is a classic early spice chest of fruitwood with labels and knobs in blue and white porcelain.  Layout of the drawers on German spice chests is virtually always the same (although the names of the spices can vary) with two columns of drawers and a long drawer at the bottom for bay leaves.

Pictured is a rare 1800s tin spice box painted in Bierlasur, which is a grain painting technique, done in mustard yellow. 

The spice box opens to reveal a circle of tin cannisters with clear glass lids.  The original grater is fashioned in a long oval shape to fit perfectly in the center, along with the original spoon for dipping the spices.  This was purchased in Germany, and I brought it home with me last week in my luggage.  Many of the spice containers were still full of the original spices.  I decided to empty them before flying, as the dogs at Customs Stateside might zero in on my suitcase with the heavy scent of spices and I would have been sent straight to Agricultural for inspection, which would not have been pretty.  I could envision them confiscating the spice box, so I opted to toss the spices.

This is an 1880s wooden spice box made for the tourist market as it has scenes of Coburg as decorations all over the box.

 

A look inside reveals individual wooden containers with spice names written in old German script.

 

 

A simple fruitwood spice chest with brass knobs and spice names stenciled directly onto the wooden drawers.

My apologies for the delay in my posting of Antique of the Week.  Work pressures and then a recent trip to Germany and Belgium left time for little else.  Now that I'm back and my body clock is slowly becoming adjusted to my time zone, I hope to have regular posts again!  

A small niche of my German Erzgebirge collection substitutes rabbits for people in ordinary scenes from everyday life.  It's hard to find and super-charming!  The room box above is extremely rare.  It is, of course, a school room with the teacher instructing the students on how to paint Easter eggs.  Buckets of colorful paint are stacked on the shelf in the back of the room, while freshly painted eggs line another rack on the wall.  There's even a real chalkboard behind the teacher!

 

 

  

 

Lovely thin paper lines the walls and floor.  Great care was taken to create this scene.

 

 
Pictured is a good example of how a nice Erzgebirge motorcycle with side car was given the unusual twist of rabbit driver and passenger.

 

This same vignette comes in a military theme with human soldiers around a campfire.  This is a hard to find example of the same theme adapted for rabbits cooking their eggs and standing next to a canvas tent. 

 

Here a rabbit vendor sells his wares (eggs) under an umbrella painted to remind you of a toadstool.

 

Erzgebirge vehicles are a favorite of mine.  These two incorporate the Easter theme.  Note the side panels of the vehicle on the right in the shape of ducks.  Both carry Easter eggs.

My cake stand collection began with this vintage glass stand from my Aunt Lillie.  It is a nice large size and displays cakes beautifully.  Thank you to my daughter, Kelsey, for making her Sunflower Cake for this post!

Orange espresso madelines display beautifully on a simple smaller size cake stand.

 

Stacking simple cake stands to showcase smaller pastries is an eyecatching way to set a party table.

 

This early 1880s ironstone cake stand once displayed confections in the Theodore Kaempchen Konditorei (pastry shop) in Germany.  If only we could step back in time and visit Herrn Kaempchen's bakery for a taste!

Another lovely antique ironstone cake stand with scalloped edge displaying clementines.  No need to limit yourself to sweets when using a cake stand!

I have always limited myself to buying cake stands that are simple and uncluttered.   However, I found this antique pressed glass stand to be lovely despite the busy pattern with a simple base (and the price was right!). 

Here an antique children's size cake stand with simple ribbon pattern serves as a base for a scented candle in the powder room.

My son and I had only been collecting German toys for a few years when my mother called from Iowa saying my uncle had a few items from my grandfather he found in his basement, and on her next visit to Ohio she brought them along.  You can imagine my surprise when she pulled the dappled wooden horse on wheels with tin wagon out of the trunk!   Measuring three feet long, I immediately put it on my fireplace mantle where it's remained ever since.   For my son, Benjamin, it was the start of his journey in search of ANIMALS ON WHEELS!

Every animal pull toy collection needs to include the requisite sheep, goat and cow . . . and this sheep is a fantastic 12" high and 20" long!  (Note the wheels are inset into the platform.  This indicates a much older pull toy from the late 1800s.)

 

The anatomically correct cow is also a fine large example 11" tall with inset wheels and, as most others, also has a voice box.

                        Here is the rest of the herd!

                               The largest goat standing 15" tall . . .

         And two nice examples of slightly smaller goats.

My son now has a collection of well over 30 wheeled animals.  The challenge is now finding examples seldom found on wheels.

          As with any other antique, the thrill is in the hunt!

 

                                         The latest acquisition!

 

Were it not for garage sales, I would have never started collecting majolica.  About 90% of my collection was pulled from garages, and, therefore, was very affordable.  I prefer English or American majolica, but do have a few French pieces, which are always figural and fun, and a few German pieces, although the Germans were never able to "do majolica right."  Their forte is porcelain, and majolica is a tin-glazed earthenware which the English companies of Minton and George Jones perfected.            

What's nice about majolica is that it looks great displayed  individually, or you can stack them and cram them into any available space.  There's no way you can make these pieces look bad!

A large part of my collection is housed in this cupboard.   I was lucky to buy at least a dozen pieces from a 90-year-old lady about 20 years ago.  She loved opening up her garage to sell things she had collected over the years . . .

 

This English Fielding cobalt cockatoo teapot was one of her favorites she sold to me.   On justifying her price she said, "I have to at least get back what I paid for it at an antiques show, so the price is $35.00!"  And the Fielding Fan and Scroll teapot (top of post) was priced at $35.00 as well.

I loved this water lily cake stand so much, I bought it even though it wasn't at garage sale prices.

 

And this fabulous sunflower teapot broke the bank, but I'll never regret buying it.  Prices for majolica have skyrocketed over the years, so I look at it as an investment . . . although a breakable one!

I didn't particularly set out collecting sewing utensils.  It just kind of happened.   I guess I began adding to it piece by piece because they're generally small and a little grouping can be displayed nicely on an end table without taking up much room.  

I favor the items made in Germany and love finding unique examples.  This is a fine figural piece from Germany made in the form of a samovar out of ivory and, most probably, coquilla nut.   It almost made Antiques Road Show, but Eileen took it for me on my behalf, and when they found out it wasn't hers but mine instead, they wouldn't allow her to sign the release papers to air on television.  They had never seen another like it.

 

This is what makes it so special.  The lid of the samovar unscrews to reveal tiny sewing tools no more than 2" long, all made of ivory.  There's even a tiny little lead pencil topped with a carved ivory decoration. 

Figural needlecases are my favorite.  The needlecase with the tassle is made of celluloid; the larger parasol is made of bone.  Both have handles that unscrew to store needles.

 

I leave the collecting of crochet hooks to my sister Eileen who has a degree in textiles and, until arthritis set in, created one-of-a-kind contemporary handbags crocheted of hand dyed linen that sold for hundreds and thousands of dollars and won her recognition as a textile artist.   I found her the rare salesman's sample portfolio of crochet hooks above in Germany.  Sizes and designs vary.  Old Dresden trim.  A dream!

Ca. 1880 German ivory set of sewing tools.  Parasol has a stanhope in the handle, which was common for that period.  Hold it up to one eye and you can see scenes of Munich.  It was no doubt brought home as a gift from someone who traveled to that city.   Lovely box covered in velvet with a beveled glass lid.

 

Tramp Art is a form of folk art that was prevalent from the 1870s to the 1930s made mainly from used cigar boxes.  Since the US government would not allow reuse of cigar boxes, they found a second life in tramp art in which the artisans carved notches and then layered the pieces to create intricate designs.  The examples we find today range from funky to fine, and those incorporating hearts and stars are particularly treasured.   Tramp Art was popular in Germany and the US.

This is a wonderful example of tramp art as a spice chest with porcelain labels in old German script,  brass knobs and dated 1886 with the initials HH.  Inside you can see the labels from the old cigar boxes used to make this wonderful spice chest.

 

 

The carving on this tramp art frame is so intricate and fine, it doesn't need a picture.  It stands alone as a fine piece of folk art!

Friend Donna displays this tramp art grouping as a frame within a frame within a frame.  Lovely!

Project in progress.  My tramp art frame is waiting for a mirror.  It combines stars (top right and left) and a heart (bottom center) to give it all the elements of a wonderful piece of tramp art!

 

You collectors will understand the feeling.   Once you find a piece that excites you, you want to go out and find more.  Pretty soon your collection has taken over and you don't quite know where to put it all!  I can't remember when I began my Springerle wooden mold collection, but it fast became a favorite of mine.  Springerle is a cookie made in the German region of Bavaria, and the dough is laid over the wooden molds and pressed into the carved designs. 

I have tried to concentrate on collecting the prized Springerle molds from the Biedermeier period (1815-1848).  This mold is probably the oldest in my collection.  It displays the talent of the woodcarver who has done very intricate subjects.   It is also desirable because it is two-sided (see reverse side above).  My favorite is the animal trainer with the dancing bear and monkey dressed up in a little suit.   The piece of wood is over an inch thick, which is a good indication of age, along with the irregular shape of the wood. 

Another two-sided mold showing the talent of the woodcarver.  As with any antique, the heart makes the piece very desirable.  The alphabet is an added bonus!

Another mold with wonderful subject matter, fine detail and an unusually  long shape with 10 squares.   The standard Springerle molds are commonly found with four or six squares running vertically, not horizontally.